If all Droge gained from the experience was a music-biz lesson, it would have been plenty worthwhile - but it turns out that movies have affected the craft of his art as well. I had no idea that these were the things that everybody was fighting tooth and nail to get.” To even be on the soundtrack album, everybody wants that, and then to be the single from the soundtrack - all that happened. You know, the song’s played again on the end titles and then, the next thing that everybody wants is to be the lead single from the soundtrack album.
#Pete droge if you don t love me movie
“I really had no idea of the staying power of a movie like that, and what that meant.
And it’s like, ‘Oh, they’ve got a $20 million advertising budget.’ I’m like, oh, that’s cool, is that a lot? ‘Jim Carrey, he’s a big star, he’s gonna be huge.’ I’m like, oh, OK. “I remember specifically when I was told it was going to be in there, and I was like, oh, that’s cool, great,” Droge shrugs, recounting his relative indifference at the time. Lyrically clever and driven by an instantly memorable melody, “If You Don’t Love Me” gave Droge the kind of career boost out of the gate that few artists are fortunate enough to receive. The movie may have lived down to its title, but the millions who went to see it heard Droge’s tune in a prime spot during the film, and again over the closing credits.
#Pete droge if you don t love me full
As a mid-twentysomething upstart in Seattle sporting a bag full of catchy, rootsy original material at the peak of the grunge takeover, Droge easily could have been lost in the shuffle when his 1994 debut Necktie Second came out on American Recordings - if not for the prime placement of his song “If You Don’t Love Me, I’ll Kill Myself” in Jim Carrey’s box-office blockbuster, Dumb And Dumber. But there are other ways to get your music heard. What comes of all that is a crap shoot, and mostly not under your control, particularly given the modern minefield of radio play. In the beginning, for aspiring young singer-songwriters, it’s generally all about writing a few tunes, rehearsing them with a band, getting some gigs, booking some studio time…and, if you’re lucky, there’s a record deal, followed by a long stretch of touring.
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